Overlap test

Get Yer Knees Flexin' and Yer Arms T-Rexxin'

Do da creep!



What I've discovered this week: Dances are HARD.

Week 7: Shot Comparison

Wrasslin' with the knees/legs here as I finish up polishing this assignment.


Straight legs on the extremes:



Less straight legs on the extremes:

Wind Walkin': More Timing Tests

So, I tweaked out a bunch of stuff based off of my mentor's notes here, and I've thrown up two options for timing on the initial reaction/resistance when the door blows open and knocks Stew off balance(around f16-f30 in both shots). Thoughts, as always, are welcome:

A...



B...



I think B "feels" better, but I'm open to hearing arguments otherwise. :)

Heel Click Final Pass and Pressing Forward

So, I figured I'd hit Dimos' notes from his "final critique" for this assignment then throw up my final pass of this thing here for posterity:




Moving onto assignment 5 with the blocking of this little number:




I should probably see what he thinks of it this afternoon. This one was a bit more challenging than I anticipated, or rather different parts of the shot were more challenging than I thought they would be while other parts were more straightforward than I expected. Go figure.

Re-timing tests

Tweaking(probably OVER tweaking) the timing of the heel click itself(around f55).


A:



B:



C:




Original Timing:

Clicks McClickinghan

That's right.  He's Scotish. ;)

Just throwing up my re-block of this heel click shot here, with Dimos' notes addressed/a few other massages and tweaks...

Re-block:



And here's the first dirty(nothing adjusted at all) spline blast....

Spline: